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  • image SM 1/7/10

Reference number

SM 1/7/10

Purpose

[14] Design for the buildings and courts south of the screen wall, 25 June 1805

Aspect

(Soane) Section through the Great Quadrangle / & part of the Soldiers Court &c; rough part-plan of the rampart walk; detail of arch[itrave] / to small door A of the rampart walk

Scale

bar scale

Inscribed

as above, The Bank, labelled (Soane): Great Quadrangle, Soldiers Court, A, Lothbury Paving / of footway, Paving of Court of / Great Quadrangle, proj[ectio]n of / base mold[ing] and dimensions given

Signed and dated

  • June 25th 1805

Hand

Soane office and Soane

Watermark

1802

Notes

This drawing and SM 1/7/13 show the Soldiers Court at an intermidate level between the Great Quadrangle and Lothbury Street. In earlier designs (see SM 1/7/11 and SM 1/7/12) the Soldiers Court is level with Lothbury Street and the Great Quadrant is sunken, leaving a difference of three feet between the north and south façades of the Barracks. Modifications to the earlier design suggest the changed levels shown in this drawing and SM 1/7/13; the ground level is high enough to include a north entrance into the Barracks.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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