Ashburnham Place, Sussex, 1813-14

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Ashburnham Place, Sussex, 1813-14 (193). Survey drawings, alternative designs, designs and working drawings for alterations and additions, including the modelling of the principal front, a new staircase and for a garden bridge, for 3rd Earl Ashburnham

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Reference number

SM D2/1/13

Purpose

Ashburnham Place, Sussex, 1813-14

Aspect

[22] Elevation of three storeys and three bays, unfinished elevation with alternative treatment of continuous balcony front, and rough details

Scale

¼ in to 1 ft

Inscribed

(verso, Dance) Ashburnham / Elevations of the new Front

Signed and dated

1813-14

Medium and dimensions

Pen, pencil on wove paper (655 x 950)

Hand

Dance

Watermark

1801 and E&P

Notes

The drawing (presumably re-used as a cover sheet - see inscription) might be for the east front pavilions. Some of the details are found on other designs - including the chujjah-like labels over the windows and the pierced stonework of the balcony fronts - though the circular antefixa motif above the plain arched corbel-table frieze is new.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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