Ashburnham Place, Sussex, 1813-14

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Ashburnham Place, Sussex, 1813-14 (193). Survey drawings, alternative designs, designs and working drawings for alterations and additions, including the modelling of the principal front, a new staircase and for a garden bridge, for 3rd Earl Ashburnham

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Reference number

SM D2/1/34

Purpose

Ashburnham Place, Sussex, 1813-14

Aspect

[10] Outline plan of E and central part of house with details of front wall, plan of terrace with twin stair to garden and with plans at two levels for porte-cochere, and plan of formal garden to N

Scale

1/8 in to 1 ft

Inscribed

some dimensions given and calculations

Signed and dated

1813-14

Medium and dimensions

Pen, yellow ochre, blue, pink, green earth and sepia washes, pencil on wove paper (585 x 780)

Hand

Dance

Watermark

J Whatman 1810

Notes

The formal garden is laid out as a parterre with a fountain and is outside the dining room and on an axis with the new, tall windows. This garden plan seems to belong with [D2/1/37] and [SM D2/1/35] and may have been made as part of a presentation set.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).