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  • image SM volume 75/9

Reference number

SM volume 75/9

Purpose

[11] Design for the Discount Office with north and south arms separated from the central area by segmental arches, and design for the lobby with a lantern, 18 November 1805

Aspect

Section of the Discount Office looking north; section of the Discount Office lobby looking north; part-section of the lobby; (pencil) plan of the lantern; (verso) rough (pencil) plan of the Long Passage and adjacent stair; part-cross section of the lobby; and longitudinal section of the lobby

Scale

bar scale

Inscribed

The Bank, Sections of Discount Office and Lobby thereto, sections labelled (Soane): Governors Room, Coffee Room, Circle (twice), Square (twice), (capitals) No clerk to be a jobber and dimensions given

Signed and dated

  • Nov: 18: 1805

Hand

Soane office and Soane

Watermark

1802

Notes

This drawing and SM volume 75/79 show the clerestory windows raised to a height above the ceiling with the brick masonry forming an angled path for light to shed into the room. This drawing is a modified copy of SM volume 75/7 and includes, in Soane's hand, a circular lantern on a square base. The Long Passage is on the right-hand side of the section, as a tall building with clerestory lighting.

The notice, 'No clerk to be a jobber', is written on the wall of the lobby. The same notice was painted on the walls of the Rotunda and the transfer offices in 1801 (Acres, p. 357). The verso of the drawing has a part-plan of the Long Passage with a reflected ceiling plan of the corridor's top lighting.

Literature

M. Acres, The Bank of England from within, 1931

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).