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Notes
Dance's design is a development of the (staircase) hall at Stratton Park though at Laxton the low arch below the Ionic screen gives on to a low, dark, corridor that leads to a lobby on the west side and eastwards to a brilliantly lit geometrical staircase. The hall has been compared with the work of French Neo-Classicists and in particular that of Ledoux.
Kalman draws attention to the correspondence between Dance's composition and Soane's project for the Waiting Room Court at the Bank of England of 1803 (SM, vol.72/56, Misc.Bank drawings 1); the ground floor rustication and arches are similar as well as the Ionic columns above. He also suggests that a precedent for the juxtaposition of a colonnade over an arch and the rustication above a low dado wall treatment is the (Corinthian) Arch of Hadrian, published in J. Stuart and N. Revett's Antiquities of Athens (volume 111, 1794, chapter 111, plate 4).
George, 7th Baron Carberry made some alterations and additions after 1845 that may have included the replacement of cornices and chimney-pieces in the areas designed by Dance. In the early 1920s Laxton Hall was bought by the Dominican Order, who opened it as the Blackfriars School in 1924. In 1968 this was closed and the house has since become an old people's home.
LITERATURE. Stroud pp.215-16, reproduced fig.71a; Kalman pp.196-7; Colvin (under Dance and Repton); G. Isham, 'Laxton Hall near Corby, Northamptonshire', Northamptonshire Antiquarian Society, LXVI, 1969 pp.18-21 (drawing reproduced); Royal Commission on Historic Monuments England, County of Northampton, vol.IV, 1984, pp.106-11.
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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).