[101] Working drawing

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1799-1810 Expansions north-west and rebuilding of existing offices (487)
      - First phase of north-west extension: Waiting Room Court, Accountants Office and Doric Vestibule, 1801-1804 (111)

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Reference number

SM volume 72/9

Purpose

[101] Working drawing

Aspect

Section looking east; and part-section looking north

Scale

bar scale

Inscribed

elevation labelled, some in red pen (Soane): Section through the small courts, the Porter's Lodge, Doric Vestibule &c, Same as in / Barrack Ct, Floor of Porter's Lodge, Qy Chg, Floor of Vestibule, Level of Basement C^t, Range (twice), all these dimensions / I doubt!, Level of / Acc^tOffice / Floor and dimensions given

Hand

Soane office and Soane

Watermark

J Whatman 1801

Notes

Behind the screen wall on Princes Street, the Doric Vestibule is flanked on both sides by a corridor leading to a stairwell. The corridors, closets and Porter's Lodge have windows facing onto courtyards behind the Princes Street screen wall.

This drawing has an inscription by Soane, 'all these dimensions I doubt!', once more displaying the architect's mindfulness for not only the building's design but its construction. Soane acted as his own surveyor at the Bank of England, charging his clients no extra fee (only 5% commission, usual for architects at the time). See SM volume 73/7 and SM volume 72/42 for similar inscriptions by Soane.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).