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  • image SM D2/10/4

Reference number

SM D2/10/4

Purpose

Wilderness Park (now Dorton House), near Sevenoaks, Kent, c.1811

Aspect

[3] (Design C) Ground floor plan

Scale

1/7 in to 1 ft

Inscribed

rooms labelled including Hall, Library, Anti Room, Ding Room, Drawg Room, Anti Room and dimensions given

Signed and dated

  • c.1811

Medium and dimensions

Brown pen, sepia, light red, yellow ochre and burnt umber washes, pencil, pricked for transfer on laid paper, three strips added and three old patches (685 x 800)

Hand

Dance

Watermark

J Whatman and fleur-de-lis in crowned cartouche and W below

Notes

Additions to the house are washed in a light red and existing work in sepia. Confusingly, the extensive office wing is washed in both sepia and a light red wash. The remodelling of the house is fairly minor with a three-window bowed projection on the garden (east) side and a portico in antis added. Behind a nine-bay office and link wing Dance has added more service accommodation as well as a suite of Powdering / Rm, Wardrobe, bedroom, Anti Room and Lady Camdens / Dressing Room that is joined by a Conservatory on a quadrant curved plan to the house. The parts washed sepia (as though for existing work) on the office and link wing consist of an extension one room deep on the same plane as the front of the house and a detached block of four bays, one room deep, behind it.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).