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  • image SM volume 73/30

Reference number

SM volume 73/30

Purpose

[49] Design for the north side of the Waiting Room Court, July 1803

Aspect

Section showing part of the north side of the Waiting Room Court and adjacent west wall

Scale

bar scale

Inscribed

face of wall and dimensions given

Signed and dated

  • July 31: 1803

Hand

Soane office

Notes

This drawing, SM volume 73/26 and SM volume 72/35 show a segment of solid wall at both ends, thereby limiting the colonnade and rustication to the centre of the wall. Such a discontinuation correlates well with the other sides of the Court, which also each include an isolated rusticated feature surmounted by columns. The treatment of this peripheral wall varies in the three drawings, as does the ornamentation at the roofline: SM volume 73/26 shows a parapet with pilasters and antefixes; this drawing shows the parapet reduced; and SM volume 72/35 shows a pitched roof line. SM volume 73/26 shows the addition, in Soane's hand, of a fret blocking above the arches in the basement as well as rusticated pedestals mounted on the piers. These two elements are included in this drawing and SM volume 72/35, as well as the executed design.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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