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  • image SM D1/10/13

Reference number

SM D1/10/13

Purpose

Norman Court, West Tytheley, Hampshire, 1810

Aspect

[8] (Design C) Ground floor plan of house and offices, unfinished front elevation and part-side elevation of house

Scale

1/8 in to 1 ft

Inscribed

as above, rooms labelled including Mr Walls / room [next door to] Childrens room, Hall of entrance, Eating room, Breakfast / or / Billiard room, Drawing room, Library, Polygon Hal, Principal Stairs, Back Stairs, Powder, Water / Closet, Yard (three times), Servants Hall, Plate, Butler, Housekeeper, Store room, Stillroom, Kitchen, Scullery, Pastry, Larder, Pantry (twice), Scullery, Coals, Portico for Carriages and dimensions given

Signed and dated

  • 1810

Medium and dimensions

Pen, burnt umber, blue and pink washes, pencil, pricked for transfer on wove paper (665 x 995)

Hand

Dance

Watermark

J Whatman 1801

Notes

The plan of the house is close to that shown in Design B except, for example, the porte-cochere and garden porch. The double-height porte-cochere shown here has 12 Corinthian columns, six wide and four deep, supporting a pedimented roof. The domestic offices are to the west arranged either side of a central Covered Passage that leads into a kitchen court enclosed by a semicircular screen wall.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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