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  • image SM D2/7/17

Reference number

SM D2/7/17

Purpose

Norman Court, West Tytheley, Hampshire, 1810

Aspect

[2] Survey plan of existing house and offices with elevation of coach house and dairy

Scale

not to scale

Inscribed

rooms labelled including Dining Room / Billiard Room under, Library / Housekeeper under, Anti Room / Pantry under / 2 Pairs of Sleeping / Rooms over, dimensions given, calculations and notes including date / 1752

Signed and dated

  • 1810

Medium and dimensions

Pencil on laid paper (660 x 920)

Hand

surveyor, Dance

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

The kitchen offices (with coach house) and the stables are each arranged around a yard, northeast and northwest of the house.

Verso
Rough plan, section and perspective of polygonal hall
Inscribed: Mr Wall's House / (Dance) First design (the sheet probably used as a folder or wrapper for other drawings)
Pencil
On the verso of a drawing for an unidentified design for a chimney-piece ([SM D1/15/2]) there is a north elevation of a quoined five-bay, three-storeys and basement house drawn by an office hand that relates to [SM D2/7/17] recto. The centre bay is canted over a porch and crowned by an octagonal belvedere. The drawing is inscribed (by Dance) Norman Court and shows the house of 1752 with new three-bay wings faintly pencilled in.

Verso
N elevation of Norman Court
Brown pen, hatching

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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