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  • image SM 9/4/38

Reference number

SM 9/4/38

Purpose

[1] Preliminary design, in Soane's hand, 26 April 1801

Aspect

Rough plan for the extension

Scale

bar scale

Inscribed

(Bailey) Plan of part of the Bank and plan labelled (Soane, pencil): Disc[oun]t / of[fice], Governor, Qy Bill Ca-- (illegible), Wait[ing Room], Wa[iting Room], Wait[ing Room], Way for the Public into the Green Court, Gov, Div, Bills R-- [illegible], Wa[iting Room], Door, Qy Entr[ance], (pen) Strong / Clos[et]

Signed and dated

  • Sunday / Apl 26: 1801

Hand

Soane

Watermark

WL 1794

Notes

This drawing is a copy of a plan of part of the existing building (the drawing is pricked for transfer) overlaid with a rough plan of the proposed extension. Already in April 1801 Soane has considered an entrance on Princes Street, marked by his pencil inscription Qy Entr, and he has already sited the entrance vestibule on axis with the Chief Cashier's Office to the east (as executed). The rough plan shows an alternative design for the directors' offices, with the series of waiting rooms and Governor's Room turned on its axis so as to be aligned north-south rather than east-west. Re-aligning the parlours in such a way would have made space for a large office on the west side of the site. Also alternatively designed is the office directly north of the Court Room, here shown as semicircular. The plan also includes a passage leading from Princes Street into the Garden Court.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).