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  • image SM Adam volume 20/237

Reference number

SM Adam volume 20/237

Purpose

[22] Alternative record drawing for a mirror in the dining room, 1780

Aspect

Elevation of an oval fluted mirror frame ornamented with an anthemion base from which spring arabesques and candle branches, surmounted by an oval medallion decorated with acanthus leaves and suspended from a circular medallion flanked by festoons

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Design of a Glass frame for the Pier opposite the Chimney in the / Eating room at Saltram

Signed and dated

  • November 1780
    Adelphi / 22nd Novr 1780

Medium and dimensions

Pen and pencil on laid paper (277 x 442)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 27
Harris, 2001, p. 241
For full literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).