[11] Design for a four-columned triumphal arch, 9 February 1803

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1799-1810 Expansions north-west and rebuilding of existing offices (487)
      - Tivoli Corner 1803-1805 (61)

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Reference number

SM volume 73/122

Purpose

[11] Design for a four-columned triumphal arch, 9 February 1803

Aspect

Cross section; plan showing half-ground floor plan and half-attic plan; rough half-section; (pencil) detail of a cornice; and (pencil) part-plan of the attic

Scale

to a scale

Inscribed

Square, lettered A and B, A.B. (?) later extension, and dimensions given

Signed and dated

Feb. 9 1803

Hand

Soane office and Soane

Notes

This drawing and SM 73/125 show a triumphal arch as in earlier designs. As suggested in alterations to SM volume 73/106, both drawings include (on plan) a blind door frame at the back of the arched recess, the screen walls are reinforced at both corners and the piers supporting the arch are enlarged. As seen in amendments to SM volume 73/107, the soffit of the arched recess has vertical grooves. Amendments made to this drawing are included in SM 73/125. The attic pilasters are moved to a position adjacent to the attic pedestal. The arched recess is made deeper and pilasters are included at the corners of the recess.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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