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  • image SM 9/3/12

Reference number

SM 9/3/12

Purpose

[6] Survey of the existing property, with preliminary design for the north-west extension and the realigned Princes Street and a design for a domed central pavilion on Lothbury Street, 1800

Aspect

Site plan of the north-east corner showing holdings and a design for the north screen wall; and elevation of proposed Lothbury Street front with domed central pavilion

Scale

bar scale

Inscribed

Recd from Mr Leverton / Thursday Even: May 29: 1800, a key A to E referring to the plan: CD is to be at right Angles with AB April 22nd / E The Curve from E to D to spring from the corner of Mr Hancock's House, (Soane): The parts coloured Red and the part of the Garden through which / Princes Street is proposed to be continued contains the property / proposed to be purchased by the Bank - // Signed John Soane. Plan labelled: Lothbury (twice), Drapers Court (twice), Princes Street, Proposed continuation of Princes Street into Lothbury, The Bank of England, Grocers Company Garden, Upper Beadles House / of the Grocers Company, This part of Princes Street proposed to be shut up and small plan in upper right of sheet labelled: Mr Hancocks House, E, Circular Wall forms the West side of Princes Street

Signed and dated

  • Copy March 17th 1800

Medium and dimensions

Pen, grey, pink and orange washes, and pencil, on wove paper (720 x 1020)

Hand

Soane office

Watermark

James Whatman Turkey Mill Kent 1794

Notes

This drawing, SM 9/3/19, SM 9/3/8 and SM 9/3/18 show variant designs for the screen wall on the north side of the Bank, on Lothbury Street. The designs include a grandiose projecting blind portico in the centre of the wall. The pavilion-like projection consisted of four raised columns in antis framed by pilasters and surmounted by a dome. The drawings show slightly varying designs for the dome.

Literature: W. Marston Acres, The Bank of England from within, Oxford, 1931. pp. 397, 476-477

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).