Scale
bar scale
Inscribed
Recd from Mr Leverton / Thursday Even: May 29: 1800, a key A to E referring to the plan: CD is to be at right Angles with AB April 22nd / E The Curve from E to D to spring from the corner of Mr Hancock's House, (Soane): The parts coloured Red and the part of the Garden through which / Princes Street is proposed to be continued contains the property / proposed to be purchased by the Bank - // Signed John Soane. Plan labelled: Lothbury (twice), Drapers Court (twice), Princes Street, Proposed continuation of Princes Street into Lothbury, The Bank of England, Grocers Company Garden, Upper Beadles House / of the Grocers Company, This part of Princes Street proposed to be shut up and small plan in upper right of sheet labelled: Mr Hancocks House, E, Circular Wall forms the West side of Princes Street
Signed and dated
Medium and dimensions
Pen, grey, pink and orange washes, and pencil, on wove paper (720 x 1020)
Hand
Soane office
Watermark
James Whatman Turkey Mill Kent 1794
Notes
This drawing, SM 9/3/19, SM 9/3/8 and SM 9/3/18 show variant designs for the screen wall on the north side of the Bank, on Lothbury Street. The designs include a grandiose projecting blind portico in the centre of the wall. The pavilion-like projection consisted of four raised columns in antis framed by pilasters and surmounted by a dome. The drawings show slightly varying designs for the dome.
Literature: W. Marston Acres, The Bank of England from within, Oxford, 1931. pp. 397, 476-477
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).