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  • image SM 9/3/11

Reference number

SM 9/3/11

Purpose

[3] Presentation drawing for the Building Committee

Aspect

Ground plan showing the intended Princes Street and the outline of the Bank's screen wall, with some holdings labelled

Scale

bar scale

Inscribed

Part of the Bank of England, Lothbury, (Soane) Govr. / Dep. / Mr Bosanquet / Mr Darell / In Rich. Neave, Mr Gov: spoke of / an Entrance from Princes Street / as a convenience, Jameson / agreed / Dec. 16 / 1802 / pulldown / as soon / as possible, No 14 / Secondaries / Office. / Xmas / 1805, 13 / Give notice / to quit / at Xmas / Dec. 16: 1802 / pull down as soon as possible, Greaves / 12 and Glendhill / at will, Give / notice / to quit / at Xmas / Decr 16 / 1802 / pull down / as soon / as possible, (pencil) Clarkson and feint pencil inscription

Signed and dated

  • Decr 16 1802

Medium and dimensions

Pen, watercolour and pencil, within single ruled border (538 x 748)

Hand

Soane office and Soane

Watermark

Hayes & Wise 1799

Notes

This drawing, SM 9/3/9, SM 9/3/7 and SM 9/3/6 trace the purchase of the properties for the north-west expansion. Soane's inscription to the drawing indicates that it was shown to the Building Committee in December 1802. Significantly, the Governor, Job Mathew, recommended including an entrance on Princes Street. This entrance, with its Doric Vestibule and prominent axis through the buildings, was an integral feature of the new wing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).