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  • image SM D2/9/20

Reference number

SM D2/9/20

Purpose

Camden Place, Kent, 1807

Aspect

[2] Ground floor plan of house showing earlier house and Dance's addition of c.1788 and of stables converted to offices with drainage shown

Scale

1/6 in to 1 ft

Inscribed

rooms labelled including Eating Room, Anti Parlour, Entrance Hall, Sitting Parlour, Vestibule, Library, Drawing Room, Best Stairs and Back Stairs, dimensions given and (verso, Dance) Plan of Camden Place

Signed and dated

  • 1807

Medium and dimensions

Pen, sepia and pink washes, pencil, pricked for transfer on wove paper, one old patch (595 x 960)

Hand

Dance

Watermark

J Rus (obscured by patch) 1804

Notes

On the plan, the conversion of the northwest stable block to kitchen, laundry, brewhouse and other domestic offices is washed in pink suggesting that this is a proposal; while the house plan is washed in sepia, that is, as if extant. However, the plan shows the entrance removed from the south front where Dance apparently placed it c.1788 (as indicated on [SM D2/9/19]) and returned to its original location on the east front. The south entrance and semi-circular stair and hall have been replaced by an elliptical library. The octagonal vestibule remains but with some small alterations. Instead of the Coleorton arrangement of the entrance hall on axis with a polygonal hall with the stair to one side, the sequence here is of entrance hall leading to the stair with an octagonal vestibule on one side of the stair.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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