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  • image Image 1 for SM D1/8/4
  • image Image 2 for SM D1/8/4
  • image Image 1 for SM D1/8/4
  • image Image 2 for SM D1/8/4

Reference number

SM D1/8/4

Purpose

Stratton Park, Hampshire, c.1807-08

Aspect

[1] Ground plan, front and elevation

Scale

1/8 of an Inch to the Foot

Inscribed

Gate towards Winchester, dimensions given and (verso, Dance) Stratton / First Design for Cottages / Entrance towards Winchester

Signed and dated

  • c.1807-08

Medium and dimensions

Pen, yellow ochre, green earth, sepia, pink and yellow washes, shaded, pencil within double ruled and wash border on laid paper (510 x 445)

Hand

Dance, Carter

Watermark

(cut) Blauw and fleur-de-lis in crowned cartouche and WR below

Notes

The drawing shows a thatched, two-storey, four-room cottage with front Porch, wide Lean too (sic) at the back and projecting chimney stacks on each side. Room dimensions are 12 by 10 feet by 8 feet high while the lean-to is 20 by 8 feet. New Plantations either side of a New Road through the Park are shown. The green-painted timber gate, flanked by wicker gates, has a semicircular brace and capped gate posts; the raised fence has lapped boards between rails.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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