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  • image Image 1 for SM D1/8/14
  • image Image 2 for SM D1/8/14
  • image Image 1 for SM D1/8/14
  • image Image 2 for SM D1/8/14

Reference number

SM D1/8/14

Purpose

Stratton Park, Hampshire, c.1807

Aspect

[10] Front elevation of gateway, wall and lodge with alternative designs for the pier finials and Profile of moulding A of gate pier

Scale

½ in to 1 ft and full size

Inscribed

as above, dimensions given and (verso, pencil) to Stratton

Signed and dated

  • c.1807

Medium and dimensions

Black, brown and red pen, sepia wash, pencil on laid paper (505 x 915)

Hand

Dance

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

REPRODUCED. P. Conner, Oriental architecture in the West, 1979, fig.76; Stroud fig.67c (left-hand side).

Verso
full size details of cap to pier with anthemion motif corresponding to [SM D1/8/16]
Pen and sepia wash

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).