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  • image SM volume 115/161af
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Reference number

SM volume 115/161af

Purpose

Drawing 6 (third row, left): Helmet with side scrolls

Aspect

View of side

Scale

Not known

Signed and dated

  • c.1515
    Datable to c.1515

Medium and dimensions

Pen and brown ink

Hand

Bernardo della Volpaia

Notes

This burgonet, shown in one several schematic drawings from c.1515 on the page, has a vertical peak (on the left) and in this respect is similar in composition to a helmet drawn on the recto (Fol. 97 and flap recto Drawing 7), and finds a parallel in the helmet of c.1550/55 by Filippo Negroli in the Fitzwilliam Museum in Cambridge (Pyhrr–Godoy, pp. 209–12). It has a simple flange at the back and pointed ear guards, and the skull is unadorned apart from scrolls at the sides, rather like those seen in Verrocchio’s Alexander relief, but ringed with leaves or petals, and with a protective comb on the crown in the form of a simple rib running from front to back.

Literature

Ashby 1904, p. 73

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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