Stratton Park, Hampshire, 1803-07

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Stratton Park, Hampshire, 1803-07 (186). Survey drawings, preliminary designs, presentation design not as executed, revised design and working drawings for reconstruction for Sir Francis Baring Bart

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Reference number

SM D1/1/20

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[182] Plans and elevation/section of coach house and stables showing timber structural members

Scale

Scale ¼ Inch to the Foot

Inscribed

as above, labelled Sick Horses, Standing for 2 carriages (twice) Harness room, Pump, Hay & / Straw and Coachman's Stable, (pencil) The joists in the / Staircase are a mistake, dimensions given (some by Carter in pencil) and calculations, and (verso, Dance) Stratton / Coach houses / & / Stabling

Signed and dated

1803-07

Medium and dimensions

Pen, crimson and yellow washes, pencil on laid paper (660 x 840)

Hand

Dance, Carter

Watermark

D & C Blauw and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

The L-shaped plan for the stables (as seen in [SM D1/1/14], [SM D1/1/22] and [SM D1/1/17]) was kept. This drawing is for the southern leg, 122 feet 7 inches long, and has accommodation for four carriages and six carriage horses with seven rooms each with a fireplace, on the first floor. National Monuments Record photographs (1951) show a seven-bay stable building corresponding to this design.

Verso
Rough plan and elevation of five-bay, two-storey villa
Pencil

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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