Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Drawing 3 (bottom): Console built into the church of Santi Quattro Coronati

Browse

  • image SM volume 115/147c

Reference number

SM volume 115/147c

Purpose

Drawing 3 (bottom): Console built into the church of Santi Quattro Coronati

Aspect

Orthogonal elevation of side with raking view of front

Scale

Not known

Inscribed

In Sti Quattro (‘In Santi Quattro [Coronati]’); 24 [in graphite]

Signed and dated

  • 1625/35
    Date range: 1625/35

Medium and dimensions

Pen and brown ink and grey-brown and brown wash over ?graphite

Hand

Seventeenth-Century Hand 2 (Sangallo Copyist 2)

Notes

This seventeenth-century addition to the sheet depicts, as the caption indicates, a console seen at Santi Quattro Coronati, that has double volutes and lavish acanthus decoration. Unknown to Ashby, it still survives and is found near the buttress on the church’s northern side (Campbell 2004; Krautheimer 1937–77, 4, p. 13). Although not a keystone, the console is comparable in form to the specimens shown above it and was included to fill the space left below them. A very similar drawing dating from the mid- sixteenth century is found in a compilation now in Naples (Campbell 2004); although the perspective is adjusted just a little, and all the decoration on the outer border is shown. The Naples drawing appears on the same sheet as one of an entablature, which (as Campbell noted) is shown in another Coner drawing (Fol. 61r/Ashby 103), and the likelihood is that the two console drawings, although not directly related, depend on the same now-lost source. The Coner drawing, like many other seventeenth-century additions to the codex, is numbered in graphite.

OTHER IMAGES MENTIONED: Naples, BNN, Ms XII D 74, fol. 11r (Lanzarini 2020, p. 505)

Literature

Ashby 1904, p. 71
Campbell 2004, 2, pp. 640 and 642
Census, ID 46913

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).