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  • image Image 1 for SM D1/1/17
  • image Image 2 for SM D1/1/17
  • image Image 1 for SM D1/1/17
  • image Image 2 for SM D1/1/17

Reference number

SM D1/1/17

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[181] Plan of Stratton House at ground floor level, presumably as executed with the / Plan of Intended Offices which / are not executed and elevation of laundry and kitchen offices

Scale

1/10 in to 1 ft

Inscribed

as above (on verso, pencil, Carter), and labelled Brew House, Wash House, Laundry, Cook's / room, Pastry, Pantry, Larder, Kitchen, Scullery, yard, Coals and wood

Signed and dated

  • 1803-07

Medium and dimensions

Pen, blue, pink and sepia washes, pencil within ruled border (cut), pricked for transfer on thick wove paper with one old patch (740 x 935)

Hand

Dance, Carter

Watermark

Joseph Ruse Tovill Mill Maidstone 1803

Notes

The L-plan stable block is sited, as before, to the northwest with, to the south, a range of unexecuted two-storey domestic offices under a single roof fronted by an arcade so that the effect is rustically Italianate. Carter's note on the verso of the drawing, 'Intended Offices which / are not executed' refers to this design not being carried out. The house plan (presumably copied from [SM D1/1/22]) shows the shorter east wing with garden bridge that was adopted.

Verso
Rough plan of a building with quadrant wings
Pencil

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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