Drawing 2 (bottom): Ionic capital with masks once in the house of Antonio Conteschi

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Books

Italian Renaissance Drawings
- Codex Coner: Architecture and Antiquarianism in early sixteenth-century Rome, c.1513-15 with seventeenth-century additions (100 folios)
  - SM volume 115/142

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Reference number

SM volume 115/142b

Purpose

Drawing 2 (bottom): Ionic capital with masks once in the house of Antonio Conteschi

Aspect

Orthogonal elevation

Scale

Not known

Inscribed

In Roma in casa M. Antonietto delle Medaglie (‘In Rome in the house of Messer Antonietto delle Medaglie’); 23 [in graphite]

Signed and dated

1625/35
Date range: 1625/35

Medium and dimensions

Pen and brown ink and grey-brown wash over traces of ?graphite

Hand

Seventeenth-Century Hand 2 (Sangallo Copyist 2)

Notes

As Drawing 1.

Literature

Ashby 1904, pp. 69-70
Ashby 1913, pp. 202–03
Campbell 2004, 2, pp. 638–39
Census, ID 46905

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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