
Browse
Reference number
Purpose
Aspect
Scale
Inscribed
Signed and dated
- c.1515
Datable to c.1515
Medium and dimensions
Hand
Notes
The accompanying annotation is written in the same hand as the others in the codex, confirming that Bernardo della Volpaia was indeed the author of the drawings on this page despite their differences in style and format.
RELATED IMAGES: [Anon.] Florence, GDSU, Codex Strozzi, 1601 Av (Bartoli 1914–22, 6, p. 27); [Michelangelo] Florence, CB, 1Av: right side (De Tolnay 1975–80, 4, p. 49; Agosti–Farinella 1987, pp. 90–91)
OTHER IMAGES MENTIONED: [Francesco di Giorgio] Florence, BNC, Codex Magliabecchiano., fol. 33r (Maltese 1967, 2, plate 219; [Circle of Michelangelo] BM 1859-6-25-548r (De Tolnay 1975–80, 4, p. 47); [Giovanni Francesco da Sangallo] Florence, GDSU, 1702 Av (Bartoli 1914–22, 6, p. 103; Frommel–Schelbert 2022, 1, p. 203); [Anon.] Berlin, Kunstbibliothek, inv. OZ 114, fol. 10 (Römische Skizzen 1988, pp. 152–56); [Anonymous E) Vienna, Albertina, inv. Egger no. 77r–v) (Egger 1903, p. 30; Valori 1985, pp. 150–51)
Literature
Census, ID 46990
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).