Drawing 1 (top left): Column base seen near the church of Santissima Trinità dei Monti

Explore Collections

You are here: CollectionsOnline / Drawing 1 (top left): Column base seen near the church of Santissima Trinità dei Monti

Browse

Books

Italian Renaissance Drawings
- Codex Coner: Architecture and Antiquarianism in early sixteenth-century Rome, c.1513-15 with seventeenth-century additions (100 folios)
  - SM volume 115/137

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM volume 115/137a

Purpose

Drawing 1 (top left): Column base seen near the church of Santissima Trinità dei Monti

Aspect

Partial section with perspectival view, and measurements

Scale

To an approximate scale of 1:3

Inscribed

S[ub] mo[n]te./ .trinitatis. (‘Below Monte Trinità’); [measurements]

Signed and dated

c.1513/14
Datable to c.1513/14

Medium and dimensions

Pen and brown ink and grey-brown wash over stylus lines and compass pricks

Hand

Bernardo della Volpaia

Notes

This base has mouldings in the same sequence – torus, scotia, astragal, scotia, torus – as those from the Pantheon’s internal upper storey (Desgodetz 1682, p. 52). According to the caption, it was seen ‘below Monte Trinità’, and the same base, labelled as ‘at the Trinity’ (questa era ala ternita), was later drawn by Andrea Palladio. The church of Santissima Trinità dei Monti, to which these annotations presumably refer, had been founded by King Charles VIII in 1493 (Armellini 1942, pp. 413–16).

OTHER IMAGES MENTIONED: [Andrea Palladio] Vicenza, Museo Civico, D 24 r (Zorzi 1959, p. 104; Puppi 1989, p. 109)

Literature

Ashby 1904, p. 68
Census, ID 46878

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).