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Purpose
Aspect
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Inscribed
Signed and dated
- c.1513/14
Datable to c.1513/14
Medium and dimensions
Hand
Notes
The capital is distinctive in having a pair of astragals, rather than conventional annuli, under the echinus and, as such, it is virtually identical to the specimen drawn next to it, and to the capitals of the mausoleum near to the Ponte Nomentano (Fol. 45r/Ashby 75), as well as very similar to two of the drawings on Fol. 712/Ashby 120 (Drawings 4 and 5). It was depicted orthogonally by Giuliano da Sangallo in the Codex Barberini and by Giovanni Francesco da Sangallo subsequently, and, although also shown orthogonally in the Codex Strozzi, the drawings there record just half the capital, as in the Coner drawing. The Coner drawing’s composite format, combining a section with a raking view, cuts through the top of an imagined shaft and also shows a fictitious dowel hole.
The capital’s profile was copied by Michelangelo.
RELATED IMAGES: [Michelangelo] London, BM, 1859-6-25-560/1v (De Tolnay 1975–80, 4, pp. 47–48; Agosti–Farinella 1987, pp. 94–95)
OTHER IMAGES MENTIONED: [Giuliano da Sangallo] Rome, BAV, Barb. lat. 4424 (Codex Barberini), fol. 70r (Hülsen 1910, p. 72; Borsi 1985, p. 242); [Anon.] Florence, GDSU, Codex Strozzi, 1597 Ar and 1600 Av (Bartoli 1914–22, 6, p. 27); [Giovanni Francesco da Sangallo] Florence, GDSU, 1650 Ar (Bartoli 1914–22, 6, p. 103; Frommel–Schelbert 2022, 1, p. 196)
Literature
Census, ID 52134
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).