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  • image SM volume 115/113e

Reference number

SM volume 115/113e

Purpose

Drawing 5 (bottom left): Unidentified base moulding of a pedestal

Aspect

Cross section and raking view of front, with measurements

Scale

To an approximate scale of 1:10

Inscribed

[Measurements]

Signed and dated

  • c.1513/14
    Datable to c.1513/14

Medium and dimensions

Pen and brown ink and grey-brown wash over stylus lines and compass pricks

Hand

Bernardo della Volpaia

Notes

At first sight this unidentified base moulding, probably from the bottom of a pedestal, might appear to be connected to the cornice immediately above (Drawing 3), but they are in fact unrelated as is rather confirmed by the evident mismatch at their junction. That they are indeed unconnected was realised by Michelangelo when he copied the two drawings separately.

RELATED IMAGES: [Michelangelo] Florence, CB, 2Av: left side (De Tolnay 1975–80, 4, p. 48; Agosti–Farinella 1987, pp. 112–13)

Literature

Ashby 1904, p. 55
Census, ID 45715

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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