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- c.1513/14
Datable to c.1513/14
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Notes
The drawing principally shows the entablature’s architrave, which has three fascias each accompanied by a row of bead-and-reel decoration and a cyma reversa above with Lesbian ornamentation. It also includes the uncompleted face of a frieze up above, which suggests that the original intention was to record the entire entablature, which would have just fitted onto the page (cf. Fol. 57r/Ashby 97 showing a similarly abandoned entablature with just the architrave and frieze drawn). An architrave depicted in Giuliano da Sangallo’s Codex Barberini, which is labelled as coming from near the ‘Spoglia Cristi’, is of similar composition although the decoration is not shown. A cornice labelled ‘Spoglia Cristi’ belonging either to the same or to a similar entablature appears on another Coner page (Fol. 51v/Ashby 88 Drawing 2). The full entablature of the then-surviving remnant of Trajan’s Forum is recorded in drawings by Giuliano da Sangallo, Giovanni Battista da Sangallo and ‘Pseudo-Cronaca’.
OTHER IMAGES MENTIONED: [Giuliano da Sangallo] Rome, BAV, Barb. lat. 4424 (Codex Barberini), fol. 38v (Hülsen 1910, p. 55; Borsi 1985, p. 200); [Giuliano da Sangallo] Siena, BCS, Ms. S.IV.8 (Taccuino Senese), fol. 35v (Borsi 1985, p. 301); [Giovanni Battista da Sangallo] Florence, GDSU, 1665 Av (Bartoli 1914–22, 6, pp. 99–100; Frommel–Adams 1994, pp. 262–63); [‘Pseudo-Cronaca’] Florence, BNC, II. I. 429, fols 50r–v
OTHER DRAWINGS IN CODEX CONER OF SAME SUBJECT: Fol. 51v/Ashby 88
Literature
Census, ID 45496
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).