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  • image SM volume 115/110c
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Reference number

SM volume 115/110c

Purpose

Drawing 3 (centre left): Cornice seen near San Paolo fuori le Mura

Aspect

Cross section and axonometric raking view of front, with measurements

Scale

To an approximate scale of 1:10

Inscribed

iusta. S [anctum]. paulum. (‘By San Paulo’); [measurements]

Signed and dated

  • c.1513/14
    Datable to c.1513/14

Medium and dimensions

Pen and brown ink and grey-brown wash over stylus lines and compass pricks

Hand

Bernardo della Volpaia

Notes

The cornice is of a standard type with dentils and egg-and-dart beneath the corona. It is identified by the caption as being located ‘next’ to the church of ‘St Paul’, presumably St Paul’s outside the Walls. The same cornice was drawn by Antonio Labacco who specified the same general location but represented it orthogonally and with measurements that are slightly different.

OTHER IMAGES MENTIONED: [Antonio Labacco] Florence, GDSU, 1850 Ar (Bartoli 1914–22, 6, p. 110; Frommel–Schelbert 2022, 1, pp. 207–08)

Literature

Ashby 1904, p. 54
Census, ID 45699

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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