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  • image SM volume 108b

Reference number

SM volume 108b

Purpose

Drawing 2: Cornice once in Palazzo Della Valle

Aspect

Perspectival elevation of a corner

Scale

Not known

Inscribed

In casa de Sig [no]ri. della Valle [‘in the house of the lords Della Valle’]; 19 [in graphite]

Signed and dated

  • 1625/35
    Date range: 1625/35

Medium and dimensions

Pen and brown ink and brown wash over graphite

Hand

Seventeenth-Century Hand 2 (Sangallo Copyist 2)

Notes

This cornice is labelled as being in Rome’s Palazzo Della Valle, and the drawing, like the other on the sheet, is a seventeenth-century insertion. Its closest parallel is, again, a drawing in Berlin dating from the mid-sixteenth century which gives the same location, although it again depicts a rather shorter length (with seven full dentils rather than ten) as well as a bead-and-reel moulding at the bottom and a part of the frieze below. Other depictions of the cornice include two from the mid- century from a compilation in Saint Petersburg, and an early sixteenth-century sheet by Lorenzo Donati (in section-plus-view format) which also features the cornice, then likewise in the Della Valle collection, that is shown in the Coner drawing above.

The drawing’s perspectival format, which allows sight of the undersides of the corona and dentils, is typical of the early sixteenth century but it is poorly understood since it fails to show the corona turning the corner and receding into depth. Like the other seventeenth-century copy drawings in the codex, this one is numbered in graphite.

RELATED IMAGES: [Anon.] Berlin, Kunstbibliothek, inv. OZ 114, fol. 6

OTHER IMAGES MENTIONED: [Lorenzo Donati] Florence, GDSU, 1842 Ar (Bartoli 1914–22, 6, p. 107); [Anon.] Saint Petersburg, Codex Destailleur B, fols 28 and 84r (Lanzarini–Martinis 2015, pp. 104–05 and 140–41)

Literature

Ashby 1904, p. 53
Campbell 2004, 2, pp. 632–33
Census, ID 45604

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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