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Purpose
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Inscribed
Signed and dated
- 1625/35
Date range: 1625/35
Medium and dimensions
Hand
Notes
The drawing’s perspectival format, which allows sight of the undersides of the corona and dentils, is typical of the early sixteenth century but it is poorly understood since it fails to show the corona turning the corner and receding into depth. Like the other seventeenth-century copy drawings in the codex, this one is numbered in graphite.
RELATED IMAGES: [Anon.] Berlin, Kunstbibliothek, inv. OZ 114, fol. 6
OTHER IMAGES MENTIONED: [Lorenzo Donati] Florence, GDSU, 1842 Ar (Bartoli 1914–22, 6, p. 107); [Anon.] Saint Petersburg, Codex Destailleur B, fols 28 and 84r (Lanzarini–Martinis 2015, pp. 104–05 and 140–41)
Literature
Campbell 2004, 2, pp. 632–33
Census, ID 45604
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).