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  • image SM volume 115/108a

Reference number

SM volume 115/108a

Purpose

Drawing 1: Cornice once in Palazzo della Valle

Aspect

Perspectival elevation of a corner

Scale

Not known

Inscribed

18 [in graphite]

Signed and dated

  • 1625/35
    Date range: 1625/35

Medium and dimensions

Pen and brown ink and brown wash over graphite

Hand

Seventeenth-Century Hand 2 (Sangallo Copyist 2)

Notes

The cornice in this seventeenth-century addition to the codex has no caption beneath it. However, a mid- sixteenth-century drawing in Berlin undoubtedly of the same cornice identifies it as then being in Rome’s Della Valle collection (Campbell), which tallies with the caption of the drawing beneath. The Berlin drawing is also the closest equivalent by far to the Coner depiction, even though it shows less of the cornice (three modillions rather than five) and also depicts the beginnings of a frieze beneath, as well as a row of bead and reel just above it that is omitted in the Coner depiction. Other earlier drawings include one in Saint Petersburg from the mid-century (which also shows a modillion on the flank), and an early sixteenth-century sheet by Lorenzo Donati representing the cornice in section-plus-raking view format and in the company of a second cornice from the Della Valle collection, which on the Coner sheet is the one shown beneath.

Like most others in the codex of seventeenth-century date, the drawing is numbered in graphite.

RELATED IMAGES: [Anon.] Berlin, Kunstbibliothek, inv. OZ 114, fol. 14 (Römische Skizzen 1988, pp. 152–56)

OTHER IMAGES MENTIONED: [Lorenzo Donati] Florence, GDSU, 1842 Ar (Bartoli 1914–22, 6, p. 107); [Anon.] Saint Petersburg, Hermitage, Codex Destailleur B, fol. 84r (Lanzarini–Martinis 2015, pp. 140–41)

Literature

Ashby 1904, p. 53
Campbell 2004, 2, pp. 632–33
Census, ID 46786

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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