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You are here: CollectionsOnline  /  [75] Variant design for the Bullion Arch, November 1799
  • image Image 1 for SM 10/3/6
  • image Image 2 for SM 10/3/6
  • image Image 1 for SM 10/3/6
  • image Image 2 for SM 10/3/6

Reference number

SM 10/3/6

Purpose

[75] Variant design for the Bullion Arch, November 1799

Aspect

In Soane's hand, a copy of SM 10/3/26 with alterations in brown pen and pencil, including one window shortened and surmounted by a roundel, fret pattern cancelled, niche and roundel pairs cancelled in pencil; rough elevation of Tivoli window for the niche, half size plan of attic pilaster, details (cancelled) of the projecting attic pilasters and detail of the eave; (verso) half size detail of the impost cornice

Scale

bar scale

Inscribed

Section on the line A.B., Section on the line C, key to letters on elevation A to E and M (twice), H (twice), K, I, HH The Moulding to be this / same as to the two doors / from the Loggia to the / Acct Genl & dep. Accts / Houses, I. ---- -- (cancelled, illegible) like this to / the bases of the present / attic, K. Cornice like that already / used to the attic, M. Base mouldings of columns / to be continued between / the Colm also, See impost Cornice on other side, and with dimensions given, Extends between Walls 58:11½, wall line (twice) and dimensions given (Bailey) Sketch of a Design for the South side of the "Lothbury Court", The Bank of England, (verso) E half size, G ½ size. (Bailey) Sketch of a Design for the South side of "Lothbury Court", The Bank of England

Signed and dated

  • LIF / Nov 9 1799 at 10 at night

Hand

Soane and Soane office

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).