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  • image SM D1/3/24

Reference number

SM D1/3/24

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[167] Plan of three second floor bedrooms in the centre of the W wing (each 17..8 by 17..2) with water closet, Lobby and Passage, and elevation of W wing showing flues and windows with outline of Larder and Coal House

Scale

4¾ in to 30 ft

Inscribed

as above, NB. All the flues are to be / brought forward without the / face of the wall to keep clear / of the Gutters, an opening is to / be left here for a / window at present, labelled including Partition (three times), chimney (eight times), (pencil, Carter) 3 flues, 2 flues, 4 flues, (pen, Carter) Ridge South Roof, Hyp, Center of new Stair & Lantern Light and dimensions given

Signed and dated

  • 1803-07

Medium and dimensions

Pen, Indian red and sepia washes, pencil, hatching on laid paper (470 x 495)

Hand

Dance, Carter

Watermark

(cut) Blauw V

Notes

This relates to an earlier plan of the 'Attics or Bedroom Floor' ([SM D1/1/12]) in which Dance raised the existing roof in order to insert new bedrooms and dressing rooms in the old west wing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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