Stratton Park, Hampshire, 1803-07

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Stratton Park, Hampshire, 1803-07 (186). Survey drawings, preliminary designs, presentation design not as executed, revised design and working drawings for reconstruction for Sir Francis Baring Bart

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Reference number

SM D1/4/11

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[158] Plan, elevations, section and detail of Chimney piece for the Breakfast room / Stratton Park

Scale

Scale 2 In^s. to the Foot and full size

Inscribed

as above, labelled Curved finish of Plastering (twice), Line of face of Brickwork (twice), opening of fireplace, Section of Moulding full size, Pilaster and dimensions given
Signed: GD
Dated: Dec^r 11^th 1804

Signed and dated

1803-07

Medium and dimensions

Black and brown pen, sepia, light red and burnt umber washes, pencil, shaded on laid paper (485 x 675)

Hand

Dance

Watermark

D & C Blauw and fleur-de-lis in crowned cartouche and WR below

Notes

The grey marble chimney-piece is plain in its design, with a patera on a tablet in the centre of the lintel which is supported on jambs with panelled pilasters and with a small scallop decorating each of the top inner corners. The opening is marked 4 feet wide and 3 feet 5 inches high, the shelf is marked 6 feet 8 inches wide. Located in the centre of the curved west side of the breakfast room, Dance's chimney-piece was replaced in a later scheme of decoration (National Monuments Record photographs 1951).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).