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- c.1513/14
Datable to c.1513/14
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Notes
The drawing is similar, in its limited treatment of mouldings, to that of the external frame (right side) of the window depicted next to it (Drawing 1). At first sight, it appears, to be a copy of the one by Giuliano (or Francesco) da Sangallo in the Codex Barberini, although this records the whole door. They both omit the mouldings except for showing the profile of the cornice, but the measurements do not correspond exactly. For example, the cornice in the Coner drawing is given as 38 minutes high, whereas in the Codex Barberini it is put as 13 soldi, the equivalent of 39 minutes, a discrepancy indicating that the Coner measurements were based on a different survey. The cornice profiles are also different, the one shown in the Coner drawing being much closer to more accurate later representations, which suggests that the Sangallo depiction may have served as a base model that was then improved upon for the Coner version.
The drawing was copied by Michelangelo who completed the right-hand half.
RELATED IMAGES: [Francesco or Giuliano da Sangallo] Rome, BAV, Barb. lat. 4424 (Codex Barberini), fol. 42v (Hülsen 1910, 1, p. 58; Borsi 1985, pp. 211–13); Michelangelo: Florence, CB, 8Ar: left side (De Tolnay 1975–80, 4, p. 46; Agosti–Farinella 1987, pp. 104–05).
OTHER DRAWINGS IN CODEX CONER OF SAME SUBJECT: Fol. 14v/Ashby 24; Fol. 20r/Ashby 3 (Drawing 1 on this folio); Fol. 53v/Ashby 92
Literature
Census, ID 47994
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).