[39] Alternative design for the attic of the corner, July 1796

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1791-1801 Rebuilding of offices in the east wing and north-east extension (431)
      - Lothbury and Bartholomew Lane screen walls, 1794-1797 (66)

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Reference number

SM 10/1/37

Purpose

[39] Alternative design for the attic of the corner, July 1796

Aspect

Elevation, ground floor plan and attic plan of a raised blind Corinthian portico in antis on a segmental plan having above a sculpted relief of Britannia between fluted pilasters and surmounted by a scrolled segmental acroterion enclosing patera; (verso) full size details of interior mouldings and elevation of an attic

Scale

bar scale

Inscribed

The Bank of England and dimensions given, (Bailey) Plan and Elevation of the North East End of the Bank; (verso, pencil) Daniel Giles Esq^r, Floor of Room, Base Mold^g / full size, Moldings around door front full size, front of pedestal, front of Bookcases, Section of one of the shelves, front of the part over each (?) pilaster, plan of (?) P full size, Moldings --- (illegible) / over Joints

Signed and dated

July 13^th 1796

Hand

Soane office

Notes

The verso of this drawing is a design for a bookcase and interior mouldings. The building works are for Daniel Giles, Bank Governor from 1793 to 95 and member of the Building Committee between 1793 and 1801. Soane worked for Giles in 1798 at Guilford Street, Camden, London in 1798, undertaking a general overhaul of the Queen Square house at an estimated cost of £148.15.0. Soane made a Survey of Giles' house in 1795 and designed iron gates for the house in 1799/1800. The verso could be a design for the interior of the house on Queen Square, or it could be a drawing for alterations to the Governor's Room made in 1793.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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