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  • image Image 1 for SM 10/2/15
  • image Image 2 for SM 10/2/15
  • image Image 1 for SM 10/2/15
  • image Image 2 for SM 10/2/15

Reference number

SM 10/2/15

Purpose

[24] Design for rampart walk over the gatehouse, February 1796

Aspect

Two rough sections and plans; (verso) details of the column bases

Scale

to a scale

Inscribed

(Soane) lettered C and D and dimensions given; (verso, Soane) Mr Raffald / No 7 Beaument Street / at before 12 / Sunday, Devonshire plan , Recedes ½ Inch, 2 1/3, 1:6

Signed and dated

  • Feb. 11. 96 / at night

Hand

Soane office and Soane

Notes

The drawing is for the entrance to the Porter's Lodge from the rampart walk. The rampart walk passed behind the attic of the Lothbury entrance gate.

An inscription on the verso of the drawing, in Soane's hand, refers to a meeting at Number 9 Beaumont Street, with a note 'Devonshire plan'. There is evidence that Soane was involved with managing the lease and rent payments for an unidentified house at Beaumont Street for the Duke of Abercorn (SM Archive L/C/450) but this documentation dates form 1800. 'Devonshire plan' probably refers to survey and repairs Soane conducted at Number 15 Devonshire Square, EC2, for Stephen Thornton, a director of the Bank of England and Soane's client for a number of properties (including Moggerhanger, Bedfordshire). In 1794, Soane surveyed the property and in 1797 he made minor repairs (SM Archives L/C/253 and SM 8/87).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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