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  • image SM D1/3/13

Reference number

SM D1/3/13

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[135] N/S section through E wing showing the decoration of the E wall and part-wall plan of the library and rough detail of fret decoration

Scale

½ in to 1 ft

Inscribed

Inside face of Wall, Books (twice), window, Great folding doors, dimensions given and (verso, Dance) Section of Library & / Drawing room / & rooms underneath them

Signed and dated

  • 1803-07

Medium and dimensions

Black and red pen, sepia, green earth, pink and raw umber washes, pencil, shaded on laid paper, two sheets joined (525 x 1165)

Hand

Dance

Watermark

D & C Blauw IV (twice)

Notes

Except for the library, the drawing of the other three rooms is unfinished.

The decoration for the library's east wall includes, above the windows and bookcases, panels with sketchy friezes of white figures on a grey (sepia) ground that are probably derived from Greek vase paintings (see also [SM D3/7/16]). Above these is a frieze with a light green back-ground and scroll and palmette ornament. (See the note on painted decoration in Appendix 1.)

The three French windows are marked 11 feet 8 inches high and 6 feet 6 inches wide.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).