[13] Alternative design for the interior ornament

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1791-1801 Rebuilding of offices in the east wing and north-east extension (431)
      - Rotunda, 1794-95 (30)

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Reference number

SM volume 74/102

Purpose

[13] Alternative design for the interior ornament

Aspect

Elevation of the Rotunda showing interior ornament; (verso) full size detail of wavy line pattern; elevation of lunette; and working drawings for construction of the dome

Scale

bar scale

Inscribed

(Bailey) The Bank of England, Sketch of Design for part of the Rotunda; (verso) dimensions given

Signed and dated

1795, (Soane) July 7 1795

Hand

Soane office and Soane

Notes

The walls of the Rotunda consisted of alternating semicircular arches and smaller flat rectangular alcoves. The arches alternated as semicircular alcoves and flat alcoves containing entrances. A chimney piece was situated inside each semicircular alcove. The interior of the Rotunda was decorated with lines incised into the plaster (what Soane called 'sinkings'). Soane used Greek key patterns and an inventive wavy motif.

This drawing shows, in Soane's hand, an alternative design for the decoration around the windows and within the ribs of the dome. It features a Vitruvian door (similar to SM volume 42/168) and variant Greek key patterns at the base of the lunettes. A pilaster capital, or cornice, is also shown with an acanthus motif.

Literature

M. Richardson and M. Stevens (eds), John Soane architect: master of space and light, Royal Academy of Arts, 1999, p. 229, cat 130.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).