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  • image SM D1/3/14

Reference number

SM D1/3/14

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[115] Plan with elevations of two walls, unfinished

Scale

½ Inch Scale

Inscribed

as above, door widths labelled, that is, this door to be / 9.10 by 4.8 / between Jamb linings (two doors on W side of hall), Jib Door 9..10 by 4..8 / between Jamb linings and This door to be 11..8 by 5.10 (NE and SE doors), dimensions given and (verso, Dance) Plan of Hall of Communication and (pencil, Carter) Drawings / Hall of Communication / Stratton
Dated: Dec 4th 1804

Signed and dated

  • 1803-07

Medium and dimensions

Brown and red pen, light red, raw umber and yellow washes, pencil on thin wove paper (550 x 690)

Hand

Dance, Carter

Watermark

WL 1794

Notes

The plan is of a rectangular hall, marked 37 feet 10½ inches wide, with a glazed screen at the north end, ten feet wide, flanked by skewed alcoves. Five doors open off the hall: two east doors (to the library and drawing room) and two west doors (to the dining room and corridor / gallery) arranged on axes and a south door (to the breakfast room); a shallow barrel-vaulted ceiling is indicated. In C. R. Cockerell's 'Ichnographia Domestica' (see the general notes), the north end of the hall is labelled 'Billiards'.

Verso
Rough faint pencil perspective of N end of hall

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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