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  • image SM D1/4/69

Reference number

SM D1/4/69

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[109] Elevation of two panels of stair railings, as executed

Scale

full size

Inscribed

Elevation full size of the iron railing for the stone staircase at Stratton / in the Hall of Entrance - for Mr Messenger, Top line of Mahogany handrail, Top bar of iron rails, some dimensions given and (verso) Stratton / Hall of Entrance / Iron railing full size / as executed
Signed: GD and 29 Upper Gower Street
Dated: March 12th 1805

Signed and dated

  • 1803-07

Medium and dimensions

Pen, yellow, sepia, pink, burnt umber, Indian red and green earth, pencil, shaded on laid paper, two sheets joined and four strips added (815 x 1460, irregular)

Hand

Dance

Watermark

D & C Blauw IV (twice) and D&CBxX in cartouche surmounted by fleur-de-lis (twice)

Notes

The colour wash system is as follows: yellow denotes gilding, sepia - stone steps, Indian red - mahogany rail, green earth - iron rail, burnt umber and pink - the railing and steps on the return. Judging by the stained and worn conditions of the drawing, it must have been used on site

See also the notes on second thoughts and colour washes in Appendix I.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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