Stratton Park, Hampshire, 1803-07

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Stratton Park, Hampshire, 1803-07 (186). Survey drawings, preliminary designs, presentation design not as executed, revised design and working drawings for reconstruction for Sir Francis Baring Bart

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Reference number

SM D1/4/61

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[104] Profile of Capping to Pilasters, Profile of Plinth to Pilasters and elevation of Plinth under the two Pilasters

Scale

full size

Inscribed

as above, Entrance Hall Stratton, labelled Plaster, Scaliola (twice), Portland Stone (three times), Portland Shaft of Pilasters or Antae, notes including The three upper moldings of the Columns to be / adopted here (for the antae), height the same as Bases of Columns, The three upper moldings the same as the Portland Bases of Columns / The filet & upper torus to be of Scaliola, The Mason is to finish & set these two Bases to the two Pilasters as soon as possible and (verso) Caps & Bases of the two Ionic / Pilasters full size / Hall of Entrance / Stratton / For the Mason & Plasterer and (verso, Dance) Stratton / Caps & Bases of the two Ionic Pilasters full size / Hall of Entrance / Stratton / For the Mason & Plasterer
Signed: GD (and verso also) GD
Dated: Jan^r 25^th 1805

Signed and dated

1803-07

Medium and dimensions

Black and brown pen, pink and sepia washes, pencil on laid paper (505 x 665)

Hand

Dance

Watermark

D & C Blauw IV

Notes

Dance's earlier scheme ([SM D1/2/9], [SM D1/2/19], [SM D1/2/10], [SM D1/2/13] and [SM D1/2/8]) had slim pilasters ranged round three sides of the entrance hall. These were dispensed with but the very correct antae at each end of the Ionic screen were retained.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).