Stratton Park, Hampshire, 1803-07

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Stratton Park, Hampshire, 1803-07 (186). Survey drawings, preliminary designs, presentation design not as executed, revised design and working drawings for reconstruction for Sir Francis Baring Bart

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Reference number

SM D1/2/7

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[81] Elevation of entablature and capitals of Ionic screen, elevation and profile of anta

Scale

2 in to 1 ft and full size

Inscribed

Hall of Communication [sic], This Entablature is colour'd in imitation of Bronze, The Columns are Scaliola / in imitation of / Porphiry, Height of Columns 13^Ft..6ⁱⁿ, Line of Ceiling, line of wall, Face of Pilaster, Center of Column (twice), Middle Line of Center Intercolumniation, dimensions given and (verso, Dance) Ionic Entablature / Hall of Entrance and Ionic Entablature / Hall of Communication (cancelled) Entrance / Stratton

Signed and dated

1803-07

Medium and dimensions

Brown and red pen, light red wash, pencil, hatching on laid paper (635 x 915)

Hand

Dance

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

See [SM D1/4/46], [SM D1/4/31], [SM D1/2/6], [SM D1/4/41], [SM D1/4/40], [SM D1/4/32], [SM D1/4/39], [SM D1/4/62], [SM D1/4/61] and [SM D1/4/38] for full-size details of the Ionic screen, north wall and corridor.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).