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- 1803-07
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By placing the stairs on the east and west walls Dance ensured that the first view on entry was of the north wall, crowned by a screen with four Ionic columns, the wall below pierced by two doors leading to the rooms in the lower storey. Either side of the gallery behind the Ionic screen, a wide corridor led to the existing rooms on the west side and eastwards to the Hall of Communication that gave access to the new reception rooms and the remodelled dining room on the north side.
REPRODUCED. Stroud fig.65a
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).