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  • image SM volume 74/6

Reference number

SM volume 74/6

Purpose

[35] Preliminary wall designs, with studies in Soane's hand

Aspect

Plan and Sections of Bank Stock Office and laid-out wall elevations

Scale

to a scale

Inscribed

as above, The Bank of England, dimensions given and (verso) Plan and Section of / alteration to Bank Stock Office

Signed and dated

  • datable to February-March 1792

Medium and dimensions

Pen, pencil and pale red ink, partly pricked for transfer on wove paper with three fold marks (525 x 665)

Hand

Soane office

Notes

This drawing and SM volume 74/7 may be two of the drawings made in late February 1792 by Chawner or Meyer (Day Book) when the design for the hall was being finalised. They are a pair showing the hall's plan as executed with its four central piers and twelve half-piers on the perimeter. On this drawing are some pencil sketches by Soane for the realised tripartite fluting on the faces of the piers and responds, and a small circle inscribed within a larger square in the centre of the plan indicating the realised stove and its base.

The laid-out elevations for the south and east walls in this drawing, and north and west walls in SM volume 74/7, are only preliminary, showing blocked rustication rather than the realised banded rustication surmounted by moulded panels. SM volume 74/7 shows only a single door along the west wall leading to the adjacent Four Per Cent Office, and not the second blank door added for symmetry. On the wall elevations of this drawing are rough indications of the eventually realised clerestory lunettes and semi-circular arches in the corner bays.

The inverted arches of the existing and maintained cellar foundations are shown in the east elevation here (see also SM volume 74/29).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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