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  • image SM D1/4/27
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Reference number

SM D1/4/27

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[62] Plan, internal elevation/section and Section showing back lining and shutter of front Door, Hall of Entrance, with Stone dressing &c, and Plan and Profile of the Guttae full size

Scale

1 in to 1 ft and full size

Inscribed

as above, labelled including Door (twice), Back lining (twice), Line of present floor (twice), (Carter) floor Line Hall of Entrance, (Carter) for 8..5½ high read 8..11 1/8, dimensions given and (verso, Carter) South Door / Hall of Entrance
Signed: 8..11 1/8ins right height J Carter

Signed and dated

  • 1803-07

Medium and dimensions

Black and brown pen, pink, sepia, burnt umber and blue washes, pencil, hatching, shaded on laid paper (510 x 664)

Hand

Dance, Carter

Notes

The door in two leaves with glazing and 8 feet 11 1/8 inches high by 5 feet wide, is flanked by panelled pilasters with guttae below a roundel; horizontal wall rustication is shown. As at, say Coleorton, Carter has checked Dance's working drawings and ([SM D1/4/57]) pencilled one or two joinery details (then incorporated on [SM D1/4/27]) and clarified a dimension. Stele details were added (see [SM D1/2/20] and [SM D1/2/24]) but the full-size detail ([SM D1/4/58]) corresponds to the design shown here.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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