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  • image SM volume 74/16

Reference number

SM volume 74/16

Purpose

[7] Preliminary column-flue design with studies in Soane's hand, 18 March 1792

Aspect

Longitudinal section looking west, with studies for lunette and lantern glazing

Scale

bar scale of ¼ inch to 1 foot

Signed and dated

  • datable to beginning of 1792

Medium and dimensions

Pen, pencil, pale red ink, sepia and blue washes on wove paper with three fold marks (506 x 620)

Hand

Soane office

Notes

In this drawing Soane's particular interest is in studying various unrealised possibilities for decorating the lights of the lantern and lunettes. He sketches alternative arched and circular decorations for the lunettes, as well as alternative fluted and panelled decoration for the spandrels below. More lightly, in pencil, Soane has sketched in a spiraling motif for the central column-flue and panelling for the soffits. Related pencil sketches are in the margins.

The drawing differs from the other column-flue schemes in SM volume 74/17 and SM volume 74/15 in as much as the stove has only a single fireplace, the central arch is semicircular, and the pilasters have been shortened to the springing of the lower arches. Again, none of these ideas were realised; the drawing shows Soane exploring possibilities of proportion and ornamentation.

Literature

J. Summerson, 'The evolution of Soane's Bank Stock Office in the Bank of England', The unromantic castle, 1990, pp. 148-153, ill. 131

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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