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  • image SM 10/8/18

Reference number

SM 10/8/18

Purpose

[2] Design for a stove, November 1789

Aspect

Elevations and specification, in Soane's hand

Scale

bar scale

Inscribed

The Bank of England, (Soane) Each front including bases and Capitals / in one piece - / Architrave, Cornice & Blocking in one / piece, To be completed by the 20th of Decr next.; (verso) Novr 1789 / Elevations of Stoves at Bank (pencil) Bank Stock Office, Vestibule, top of Colonnade

Signed and dated

  • (Soane) Nov 1789

Medium and dimensions

Pen and wash, brown pen, on laid paper with three fold marks (650 x 576)

Hand

Soane and Soane office

Notes

This stove is not a characteristically Soanean design and it would have fitted well inside Robert Taylor's south-west wing of small parlours. The Bank bill books records an unusually high number of stoves ordered at the end of the year in 1790. Good heating was a reccuring concern for the directors, influencing many of Soane's designs throughout his surveyorship at the Bank. The stoves recorded for 1790 vary in design. The most expensive, for £13 13s Od is described as a Patent Register Stove / with black Japanned fronts / molding and button and bead / outside, knee'd plate and / button and bead inside steel / Check plates and pillars, measuring 3 feet 5½ inches wide and 2 feet 2 inches high. Another, costing £2 12s 6d was described as a high Metal forest stove / 20" coved Barr plain moulding / for fret 3'17"¾ for Exchequer Offic[e].

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).