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  • image SM 1/1/3

Reference number

SM 1/1/3

Purpose

[5] Alternative design for the rooms in the entrance building, by Robert Taylor c. 1774 , with alterations by Soane's office, 1789

Aspect

Plan of the Principal Story, as / in its present State

Scale

bar scale

Inscribed

as above, Bank of England, Mr Billings Room, Study, Office, Eating Room, and with dimensions in pen and some dimensions of partitions in pencil

Medium and dimensions

Pencil, pen, grey and pink washes, pricked for transfer, on laid paper (333 x 549)

Hand

Taylor office and Soane office

Notes

This drawing shows the entrance building as altered by Robert Taylor, c. 1774. Taylor converted the first storey to two residential apartments. He split the building into virtually two separate buildings, adding another stair to provide access to the second apartment. Soane altered them again in September 1789 but he kept the dividing wall and the apartments. The inscriptions on the drawing date from 1789, with Mr Newland's Kitchen noted on the chamber storey (Abraham Newland was the Chief Cashier of the Bank from 1778 to 1807). The drawing was probably reused by Soane's office as a survey of the existing building.

The drawing was attributed to the office of Sir Robert Taylor by Richard Garnier in 1999.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).