[3] Measured drawing copied from (?) Thomas Hardwick, and (?) bought from Manocchi (4)

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Soane's architectural education: Royal Academy and Italy including measured drawings: 1770-1780
  - Soane in Italy: measured drawings made or copied, 1778-80
    - Italy: Tivoli: Hadrian's Villa (4)

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Reference number

SM 45/3/5

Purpose

[3] Measured drawing copied from (?) Thomas Hardwick, and (?) bought from Manocchi (4)

Aspect

Part-plan of Great Baths and Small Baths

Scale

1/8 in to 1 ft

Inscribed

Villa Adriana and dimensions given

Medium and dimensions

Pen and sepia wash, pencil, pricked for transfer on laid paper (750 x 539)

Hand

Soane

Watermark

J Whatman, fleur-de-lis within crowned cartouche with GR below

Notes

On whether Soane's drawings of Hadrian's villa are copied from Thomas Hardwick or Giacomo Quarenghi or both see du Prey, op.cit., 1972. The drawings by Hardwick for Hadrian's Villa are in the RIBA Drawings Collection, SC53/9-10 (1-3).

Literature

P.du Prey, 'Soane and Hardwick in Rome: a Neo-Classical partnership', Architectural History, Journal of the Society of Architectural Historians of Great Britain, XV, 1972, pp.53,65-7
P.du Prey, (J.Lever editor), Catalogue of the Drawings Collection of the Royal Institute of British Architects, volume G-K, 1973, p.94^2-3
P.du Prey, John Soane's architectural education 1753-80, 1977, pp.287-8; P. du Prey, John Soane: the making of an architect, 1982, pp.151-6

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).